IP改编电影网剧舞台剧大PK 谁更胜一筹

 

如果对2016年的影视戏剧作品进行总结,“IP”绝对是热门词汇之一。“IP”全称“Intellectual Property”,也就是“知识产权”,或“智力成果权”。它可以是一个故事,一种形象,一件艺术品,一种流行文化。可经改编拍成电影或电视剧的热门小说、歌曲、网剧等,都可以称为IP。在2016年,如《三体》《青云志》《幻城》《微微一笑很倾城》等以各种同名热门小说改编拍成的电影、电视剧和舞台剧如雨后春笋一般呈爆炸形式出现在人们的眼前。虽然原著都被奉为经典,拥有大量的支持群体,但经过改编后呈现给观众的形式不同,小说原著粉丝对改编后的作品也褒贬不一。今天独一传媒(UNIPX MEDIA)就来为大家总结一下过去一年中出现的各种“大IP”影视舞台剧作品,来个终极大对比。

-电影版-

IP电影版里被观众对比最多的就是《鬼吹灯》系列了。其中最受关注的两部则为陈坤、黄渤主演的《鬼吹灯之寻龙诀》和赵又廷、姚晨主演的《鬼吹灯之九层妖塔》。

同为全明星阵容,但口碑却是一个天上一个地下。对于《寻龙诀》,大部分观众还是认为符合原著设定,演员还原了角色本身设定的同时也带入了鲜活的个人特征。而《九层妖塔》则难免让人失望,叙事思维不清晰,逻辑混乱,姚晨略显神经的表现让观众大呼“这是个啥!”。最重要的是此类主题电影的通病是题材的限制,对于《鬼吹灯》是以盗墓为主线的小说,如果想通过顶头大佬“广电总局”的审查,宝物最后还是要乖乖的上交国家比较好,所以故事情节中的部分改写难免让人失望。此外,虽然通过现在的CG和特效技术能最大程度的还原小说里的环境和情节描写,但还会给人一种“人景分离”的感觉,使人不禁跳戏,脑海里浮现出演员凭空在“绿布”前表演的尴尬画面。此类IP改编成的电影,观众普遍反映即使是特效,画面仍然存在很多欠缺,观看时很难被带入。

-互联网电视剧版-

互联网电视剧如今已经成为一股最新潮流,大家追剧已经不用再准时准点守在电视机前,只要每天空闲时间打开视频网站即可观看。于是更多的IP改编电视剧也瞄准了互联网这个平台。2016年网络IP改编剧《九州·天空城》《极品家丁》《太子妃升职记》等均受到了年轻观众们的关注。对于制作方来说,通过互联网渠道播出的优势在于,剧集在故事情节上可以更加完整的遵循原著,不必过分受限。但此类剧大多的问题也是制作经费有限导致的“五毛钱”特效,和青涩小鲜肉演员们有待提高的演技。虽然此类电视剧能造成一时的话题,但难以成就经典。如此消费IP,那也只能做一锤子买卖了。

-舞台剧-

与上述两种形式对比,舞台剧则是一种最新兴起的IP改编形式。近些年来根据经典小说漫画改编的舞台剧大量涌现,其中叫座又叫好的作品如国内首部裸眼3D科幻舞台剧《三体》更是让观众大饱眼福了一把。舞台剧相比电影和电视剧,最大的优势在于身临其境视觉感官感受和面对面与场景和演员的互动,是即便影院中的“IMAX”和“3D”都很难达到的效果体验。

2016年最热门的IP之一《三体》便由顶尖舞台特效制作团队Lotus Lee戏剧工作室成功的搬上了舞台,让观众们亲身感受浩瀚的宇宙。作为来自中国的一家专注于多媒体,高科技和幻觉设计方向的制作公司,Lotus Lee戏剧工作室制作的舞台剧《三体》开辟了国内舞台技术先河,首次在舞台剧表现形式中使用了世界领先的室内无人机技术,模拟《三体》故事中的太阳,飞行在观众的头顶,还原原著中的“三日连珠”现象,并利用六台高清度的投影机,分别从舞台的顶部及中部的3D Mapping面,及最前端的透明纱幕,和观众席两侧以及剧院的天花板上分别投影出不同的影像,创作出了从后到前,有层次感的,叠加在一起的投影3D的视觉效果。Lotus Lee戏剧工作室在制作中使用的这种投影方式在亚洲是首创,精准生动地再现了三体星球场景,使观众仿佛置身其中,情绪紧随身边场景变化和演员表演而动。在观看《三体》舞台剧的过程当中,你不仅仅是一位观众,你更会站在主人公身边,参与故事其中,不得不说,这就是舞台剧这种传统艺术形式结合了现代科技的神奇魅力所在。

 

出品:独一传媒(UNIPX MEDIA)

出品人:秦一童

编辑:Zoey Zhou

责任编辑:Rusu Kong

摄影:Jack Li / 三体 / WEB

LOTUS LEE DRAMA STUDIO LEADS THE WAY AS CHINESE PERFORMING ARTS GROUPS GO INTERNATIONAL

 

The day after tomorrow will be the Chinese New Year in 2017. Accompanying with this most important festival in China, many Chinese Drama and Performing Groups are stepping up their games as they take their works across borders, showcasing their ingenuity and creativity to the outside, with a particular focus on the United States of America. More of such groups are also planning to show their works beyond the Chinese borders to the U.S. and the global audience.

Over twenty groups have already attended several editions of the popular APAC in NYC, with other participants acknowledging the ingenuity, creativity and beautiful works of the Chinese culture and people in general. Some of the prominent performing arts groups that have one time or the other attended APAC | NYC includes Beijing Dance Theater; TAO Dance Theater; and Zhaoze Band, with Lotus Lee Drama Studio attending the 2017 edition of APAC | NYC with its The Three Body Problem 3D Drama.

The Beijing Dance Theater otherwise known as BDT is a contemporary Chinese dance group founded in 2008. Wang Yuanyuan a choreographer in conjunction with visual artists, Tan Shaoyuan and Hanjiang currently leads the team. BDT is one of the major Chinese performing arts groups to gain international prominence with collaborations with several renowned dramatists, designers, and musicians across the globe. The group through its international collaborations has been able to showcase the Chinese contemporary dance culture to the rest of the world, with performances on international dance stages.

Some of the BDT’s works Stirred from a Dream, a dance drama adaptation from the Kun Opera Peony Pavilion; Prism, a triple-bill that featured works by choreographers from Sweden, Denmark, and Canada; and Haze a contemplation in a time of crisis, which was taken on an European and US tour between 2011 and 2012.

TAO Dance Theater is another internationally acclaimed Chinese performing arts group that have made appearances in several European countries, thanks to its unique delivery of dances. Founded by Chinese choreographer, Tao Ye, the group has been able to create, recreate and deliver the Chinese culture in a unique way.

The group and its founder have received accolades from different international arts bodies, with several international performances that include a performance at the 2015 Edinburgh International Festiva. It has also performed on prestigious stages like the Lincoln Center in New York and the Sydney Opera House.

The group is largely described as China’s most successful and globally sought-after performing arts company and “4” and “5” are two of its most popular works, where Tao Ye pursued his minimalist experiments to the astonishments to international spectators.

Zhaoze is an international Chinese performing arts group known for its combination of Guqin – the most traditional Chinese music instrument with modern post – rock and Prog-rock in a unique way to create melodious sounds.

The group has made several international hits like Stars in My Closing Eyes, Into Your Dream, The Relativity Of Space And Time. Its unique and poetic delivery has led to many international concerts and shows, gracing international stages with top artists and performers from across the globe.

A brief of the 2017 edition of the APAC | NYC would be incomplete without a mention of Lotus Lee Drama Studio and its extraordinary drama – The Three Body Problem Drama. Lotus Lee Drama Studio was founded in 2015, specializing in stage drama planning, investment, production, branding, and promotion. In its short while of existence, the media outfit headquartered in Shanghai, China has risen to prominence becoming a pioneer in China’s drama industry.

The Three Body Problem Drama is the latest work coming from Lotus Lee Drama Studio, and the film has been highly successful with a large acceptance in China, even as fans were thrilled at the APAC | NYC. A sequel to the drama, The Three-Body Problem II, and other customized stage drama for game companies are in the pipeline with the likes of Legend, League of Angels and One Thousand and One Nights on the list.

Media Contact
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